Frankenstein Must Be Destroyed


Drama / Horror / Sci-Fi

Rotten Tomatoes Critics - Rotten 50%
Rotten Tomatoes Audience - Upright 69%
IMDb Rating 6.9 10 3300


Uploaded By: FREEMAN
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December 06, 2016 at 04:00 AM



Peter Cushing as Baron Frankenstein
Freddie Jones as Professor Richter
Simon Ward as Karl
720p 1080p
722.55 MB
23.976 fps
1hr 38 min
P/S 0 / 4
1.51 GB
23.976 fps
1hr 38 min
P/S 0 / 6

Movie Reviews

Reviewed by Libretio 9 / 10

A masterpiece, the peak of Hammer's output


Aspect ratio: 1.85:1

Sound format: Mono

Following a long period of cheap-looking productions designed to play as double-features on their home turf, Hammer returned to premium quality horror with FRANKENSTEIN MUST BE DESTROYED, arguably the company's finest hour, and certainly Peter Cushing's definitive portrayal of the monstrous Baron. Here, he blackmails medical student Simon Ward (making his feature debut) and his lovely fiancée Veronica Carlson into helping him with a brain transplant which - naturally - goes horribly wrong. Instead of the misguided adventurer depicted in previous films, screenwriter Bert Batt emphasizes the Baron's ruthless pursuit of knowledge and power, culminating in an unexpected sequence in which Cushing's domination of Carlson segues from mere tyranny to rape, a scene which Cushing reportedly found distasteful. Overall, however, Batt's script allows the characters to evolve via a skilfully constructed plot which employs levels of drama and emotion largely absent from much of Hammer's output at the time, alongside the usual elements of horror and suspense.

Director Terence Fisher rises to the occasion with remarkable dexterity, orchestrating set-pieces which have been compared to Hitchcock in some quarters, especially the opening sequence in which a petty thief (Harold Goodwin) breaks into the wrong house and has a truly hair-raising confrontation with its volatile owner (leading to a memorable 'reveal'); and the traumatic moment in the back garden of Carlson's boarding house, when she's forced to deal with a corpse (one of Frankenstein's cast-offs) ejected from its makeshift grave by a burst water pipe. Freddie Jones adds pathos to the proceedings as the helpless victim of Frankenstein's latest experiment, his brain transplanted into another man's body against his will, traumatizing his incredulous wife (Maxine Audley) who refuses to accept his new identity (a scenario echoed by a similar plot line in John Woo's FACE/OFF in 1997). The period décor may look a little cramped and cut-price in places, but this is Hammer/Fisher/Cushing at the very height of their creative powers, and the film is a small masterpiece of British Gothic.

Reviewed by vampyr-5 10 / 10

"Hammer's fifth Frankenstein presents the Baron as a totally irredeemable character."

Hammer Films' 5th Frankenstein film is their best. Cushing brings a new pathos to the character of the Baron that is consistent with, and at the same time, different than his previous films. Terence Fisher brings an unbelievable sense of style to this, his best film. The ending is unbelievably good. However, if new to Hammer - I don't suggest you start with this one. Ideally, view the Frankenstein films in order (Curse of Frankenstein, Revenge of Frankenstein, (feel free to skip) Evil of Frankenstein and Frankenstein Created Woman. This film will be far stronger as a result. Disturbed till the end!

Reviewed by The_Void 9 / 10

Hammer's 5th Frankenstein film is proof positive of the fine work of Cushing/Fisher.

Frankenstein must be Destroyed is one of the best of the hammer horror series; and that is saying something, as the studio has produced a lot of horror highlights. Peter Cushing stars as Baron Frankenstein, the mad doctor whom everyone and their dog will recognise instantly from the classic novel. This film is an interesting variation on the classic story, and it sees Baron Frankenstein involving himself in the practice of brain transplant surgery. The film doesn't have anything to do with the classic novel; it doesn't make reference to it at any time, and it's only notable similarity to that from which it is based is the character of Baron Frankenstein. Saying that; it doesn't really matter, as this film stands on it's own from the original story.

The character of Frankenstein has been changed a lot from the one that we all know and love. The original Frankenstein was an over-ambitious scientist that got in over his head and later found redemption. The one here, however, is pure evil. He has no remorse for any of what he has done, and he treats murder only as an obstacle that is in his way. He is cold, calculating and overall; not a nice man. The story really takes off when Frankenstein blackmails Karl, a young scientist, into helping him perform the first brain transplant. The two kidnap Dr Brandt, a fellow mad-scientist who has gone insane and is being held in a mental asylum. A lot of the film's horror is drawn from the character of Frankenstein, who is expertly portrayed by Peter Cushing.

Peter Cushing is a great actor, and is more than up there on the illustrious list of horror legends. He's not as pronounced as fellow legend Vincent Price, or as malevolent as fellow legend Christopher Lee; but Peter Cushing has a niche all of his own. His persona is extremely creepy, especially in this film. He's not evil like you would imagine evil to be; he has a much more intelligent, more calculating presence; and that is far more scary than any man in a monster suit. Peter Cushing's screen presence is in his authority; he isn't a big and strong man, but he's not the sort of person that you would want to upset because you just KNOW that something bad will happen to anyone who does. The acting in Frankenstein Must be Destroyed is surprisingly good, actually; from Hammer films, you don't tend to expect great acting, but this one delivers. Simon Ward stars (almost!) opposite Peter Cushing as the young scientist blackmailed by Frankenstein. He's definitely second fiddle to the awesome Peter Cushing, but he performs admirably. Freddie Jones is the real star besides Cushing; although no Boris Karloff, his performance as the man turned into a monster is perfectly tragic. Veronica Carlson is the lady of the film, and she does just fine; and some credit must go to Thorley Walters, too; the man that plays the hazardously idiotic police inspector.

The ending of the movie is great, and draws parallels with that of the original novel, in that it's exciting, flame-ridden and everyone gets their comeuppance. Credit must go to Terrence Fisher; he has directed a number of Frankenstein (and Dracula) films, and following up on a classic novel and doing it well is no easy feat. Frankenstein Must be Destroyed is a horror highlight, and a must for fans of the genre.

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